Spirallings originated from a single spiral: one form repeated three times. When these elements interlock, function emerges.

Each spiral is a continuous line that travels horizontally before descending to form a leg. In isolation, each element remains incomplete. Only through connection do they become whole, resolving into a stable, self-supporting table. No single component dominates; each is contingent on the others, equal in role and necessity.

The process was shaped by material experimentation. Steam-bent wood and rolled metal imposed limitations in achieving the tight radii required. These mechanical constraints defined what was possible until the shift to marble, freeing the form from these restrictions.

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We are accustomed to encountering marble as flat planes, a continuous surface rich with depth, veining and tonal variation. In Spirallings, the interlocking forms disrupt that continuity. The veining is fractured and redirected, disrupting the visual rhythm.

In this way, the marble resists stillness, becoming dynamic, animated, almost alive.